Francisco Bartus

Flamingo Flirt

Regular price
3,150
Sale price
3,150
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Francisco Bartus 'Flamingo Flirt' Origineel schilderij van moderne kunst
Francisco Bartus Flamingo Flirt origineel schilderij in interieur.
FranciscoBartus_FlamingoFlirt
  • Francisco Bartus 'Flamingo Flirt' Origineel schilderij van moderne kunst
  • Francisco Bartus Flamingo Flirt origineel schilderij in interieur.
  • FranciscoBartus_FlamingoFlirt
Francisco Bartus 'Flamingo Flirt' Origineel schilderij van moderne kunst
Francisco Bartus Flamingo Flirt origineel schilderij in interieur.
FranciscoBartus_FlamingoFlirt

About this artwork

Artist:
Francisco Bartus
Dimensions:
105x105
Frame:
Yes
Unique/edition:
Unique

Francisco Bartus "Flamingo Flirt" original artwork including a black tray frame.

This unique artwork is characterized by the three-dimensional painting techniques Francisco uses; the figures Francisco paints together form 2 flamingos. The flamingos are faced towards each other and form a heart. Bartus, born in Valencia, combines elements of abstraction and pointillism in his work to create his own unique, three-dimensional style.

Three-dimensional techniques and materials

In each composition, Bartus uses mixed media: from oil paint to acrylic, from pastels to textiles. By continuously adding new layers, a tangible relief is created that invites the viewer not just to see, but almost to experience. The result is dynamic shadowing and a tactile texture that makes his paintings almost leap off the canvas.

The artwork measures 105 x 105 cm including the black tray frame.

View all Francisco Bartus Paintings

Fransico Bartus 3D schilderijen vol kleur en textuur | Modernekunst.nl
Francisco Bartus

Francisco Bartus is a contemporary Spanish artist known for his colourful, three-dimensional paintings with strong texture and dynamism. His mixed-media technique, in which small figurative elements combine to form larger compositions, makes his work instantly recognisable. Themes such as humanity, love and connection are central to his work.

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